BROOKLYN NEW YORK – At last a good day of photography. I met a friend for lunch a Peter Luger, still the best steakhouse in New York (and maybe in the universe). It’s just over the Williamsburg Bridge in Brooklyn, so after lunch I explored the bridge and Williamsburg in lovely winter light. Williamsburg is an interesting melange of Lubavitchers, hipsters and young urban types – it has a very good subway connection to midtown. The day was good enough to warrant treatment as a mini-gallery in this post. All images are with my Leica M9 and a 24mm Summilux lens. Lets start with an image of a lone runner in the shadow of the bridge overpass:
I’ve done this a lot. For a long time. The distant, solo figure is a recurring theme in my work. Here’s one from 1970 (taken with a
Rollei 2.8 F in Luxembourg):
Since 1970 the cells in my body have replacement themselves many times; I’ve had a world of experience but I still identify with the lonely, isolated figure. Another thought is captured in the comparison of these two images: my work is often symmetrical with correct prospect (which takes a certain amount of control when shooting with a wide angle lens) or is wildly askew. Anything in between just feels like a mistake to me.
One of the advantages of living in the Northeastern US is the brilliant winter light. It was very much in evidence today giving the graffiti a visual kick.
Kind of mixed use real estate here, with car repair shops and the like tucked in among buildings undergoing major renovations.
Here’s the bridge. It wasn’t easy to get this angle. The East River has no accessible waterfront here. I had to trespass through a bridge and tunnel authority parking lot and climb a fence. There are some excellent early 19th century warehouses along here that look like they are in early stages of being renovated.
Finally, the scene under the El for the M train back to Manhattan could have been from 1954.
On this day one year ago: parking space.
