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Thursday March 17, 2011

NEW YORK NEW YORK – St. Patricks Day. Why am I not out photographing the parade? After all that’s what I did on St. Patricks Day last year. Well there are couple of reasons. For me a parade is interesting if you have a privileged point of view. For example as a participant or from a high vantage point. I haven’t arranged for either this year. Absent that sometimes the most compelling images can be found by looking in the opposite direction from the parade and focus on the spectators – ground that I covered last year. But the truth is I was too busy to get out.

I did find an hour to experiment further with exploring the limitations of my Hasselblad 60 meg back on an Alpa 12 Max technical camera. Today’s assignment was to see how this combination works with focus stacking – a technique of combining images taken at various focus distances into one image, all parts of which are in focus. There is a software tool, called Helicon Focus, that makes this possible. The following image, taken in our living room, was made by combining six images with focus points from the close edge of the table to the burned out area in the room on the upper right. I used a laser distometer to measure the distances. Technical cameras like the Alpa 12 Max don’t come with focusing aids or light meters. The detail, depth and pliability of the images from this combination are remarkable. I’ll be doing more of these.

At home
At home

On this day one year ago: Guess what? St. Patricks Day Parade.

St. Patrick's Day Parade
St. Patrick's Day Parade
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Landscape Out my window Urban

Wednesday March 16, 2011

NEW YORK NEW YORK – You’ve seen this before – it’s the view out of my dining room window – and I guaranty that you’ll see it again. Hasselblad has finally released a production version of the firmware for its 60 meg back that permits it to be used on a technical camera. (I had previously been using a beta version of the firmware.) I attached the 60 meg Hasselblad back to my Alpa 12 Max camera and a Schneider 36mm digital lens and spent a couple of hours exploring the limits of this combination out of the window of my dining room. Here’s a typical image. This good landscape test image for me because there is a wealth of fine detail and the streets are orthogonal (eliminating focus as an issue). The Alpa Max permits the camera back to be shifted. Here I’ve used this feature to move the horizon down – to emphasize the sky. This could have been accomplished by pointing the camera up, but then the vertical lines would have converged. Technical cameras like the Alpa are often used to photograph architectural subjects because the facilitate composing while maintaining horizontal and vertical lines in the buildings parallel.

Out my window
Out my window

On this day one year ago: Cash for your Warhol in Beantown.

Cash for your Warhol
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Landscape Urban

Tuesday March 15, 2011

BOSTON MASSACHUSETTS – I had meetings in Boston on this bright, clear early spring day. Again not much time. This is a conventional image taken with my GH2. I don’t have a very wide lens for it so this is stitched from three frames.

Beantown
Beantown

On this day one year ago: Pacing at Citicorp Center. Not a very popular image but on reflection I rather like its claustrophobic feeling.

Citicorp Center
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Landscape Out my window Urban

Monday March 14, 2011

NEW YORK NEW YORK – This is a busy week for me so I’m tucking my daily photos into odds and ends of time. I spent the day in my office but kept an eye out for good or interesting light in the Manhattan cityscape outside of my windows. I’m shooting with my Panasonic GH2 because it’s the lightest and most compact camera that I have and the selectivity of the very long telephotos effectively let me cheat, not having the time or space to actually get close to an interesting subject. Here’s the Bloomberg Building out my office window:

Bloomberg Building
Bloomberg Building

On this day one year ago: A dismal image of the mud season in Connecticut.

Warren Connecticut
Warren Connecticut
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Landscape

Sunday March 13, 2011

WARREN CONNECTICUT – Looking through my collection of camera gear I noticed an Olympus flash unit that I had bought a year or two ago because it is compatible with my Leica. It’s been pretty much unused because I prefer the available light with the Leica look. The flash unit, it turns out, is fully compatible with my Panasonic GH2 – the through-the-lens metering works perfectly and (unlike the Leica) it is reasonably fast. I ‘m not great at on-camera flash so I decided as an exercise to do some landscape with it. Here’s an example for Warren. The idea was to use the flash to balance the lighting of the tree trunk, which is under large evergreen Euonymus branches and is thus dark, with the house. The lighting in this photograph is actually too balanced to be pleasing. The quality of the images from the GH2 continues to stun me.

Tree up close
Tree up close

On this day last year: Roger Standt’s workshop.

Roger's Shop
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Landscape

Saturday March 12, 1011

WARREN CONNECTICUT – I don’t usually shoot with long lenses. As I’ve noted elsewhere my most energetic work tends to be shot with wide angle or very wide angle lenses. But having a Panasonic GH2 and a 200mm-600mm equivalent lens has encouraged me experiment a bit with telephotos. Here’s the view from a friend’s building site over looking Lake Waramaug and Hopkins Vineyard.

Hopkins Vineyard
Hopkins Vineyard

On this day one year ago: Alexander Campbell, our son.

Alexander Campbell
Categories
Landscape Urban

Friday March 11, 2011

NEW YORK NEW YORK – I’m continuing to experiment with my new Panasonic GH2. I walked down Lexington Avenue with it (an errand to pick up our dog from a haircut), taking images that I might have done with my Leica M9. Here’s a sample. The images are fine at web resolution, but don’t have the impact that the Leica files have when viewed close up or printed large.

4G
P4G

On this day one year ago: Another errand – this one to Jean Silversmith.

Jean Silversmith

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