NEW YORK NEW YORK – A day of getting very close with my iPhone – which does well as a macro camera. Today I shot light sources around the house. The stripes on the wall of the square one are an artifact of a 60 cycle flicker of the LED light source. This was a “make something out of nothing” day.
Light BulbLight fixture
NEW YORK NEW YORK – I got up early and walked down Park Avenue — my morning commute — to a day of meetings. I got sunrise out our window with a Leica M and 280mm lens (which is fussy to use because focus is critical and it demands good tripod technique), more sunrise on Park Avenue with my Leica Monochrom, and a grid within a grid out the window of a conference room later in the day with my iPhone. I’ve posted them in reverse order because I like the grid image best.
CellsGrazing lightSunrise
NEW YORK NEW YORK – A clear beautiful day. My kind of day to get out and find some light and shadows, but I’m house-bound because of professional commitments. I took an hour’s break with a telephoto lens out my window. I don’t often shoot with long lenses. This is a 280mm Leica lens made for the Leica R but used on my Leica M with an adapter. The M lets you focus through the lens with an electronic viewfinder but this lens is very demanding in terms of focus accuracy and good tipod technique. Here’s a sample.
NEW YORK NEW YORK – On foot on Park Avenue today with my Leica Monochrom and Luxocron lens. Pretty typical stuff, but not bad.
Park AvenueSeagram Building Plaza
NEW YORK NEW YORK – One characteristic of Leica shooters is that we are likely to have multiple versions of the 50mm standard focal length lens. In my case I’ve lost count – six or seven – with the oldest dating to the mid-1930s and the newest being the f2.0 Summicron Asph. which is backordered and difficult to find. Today I’m shooting with a 1958 dual range Summicron which I have had modified for use on digital Leica M cameras. This is the classic Leica lens. Here’s what it’s images looks like:
WARREN CONNECTICUT – A rainy day. I guess this is what we’ve been saving for. Out with my Monochrom and 18mm lens catching rain and fog with a wide lens. Visually it’s hard to make headway against the sameness of days like this. Here are three tries:
Fogbarntree line
NEW YORK NEW YORK – More with the 18mm lens. I’ve decided to shoot straight up for a week. I mean really straight up – using a spirit level in the camera’s accessory shoe to orient it. Here’s one in our courtyard, again with the Leica Monochrom and 18mm Super-Elmar Asph.
Look up
