NEW YORK NEW YORK – More with the 18mm lens. I’ve decided to shoot straight up for a week. I mean really straight up – using a spirit level in the camera’s accessory shoe to orient it. Here’s one in our courtyard, again with the Leica Monochrom and 18mm Super-Elmar Asph.
NEW YORK NEW YORK – Kind of a cool abstract visual, obviously on Lexington Avenue, taken with my little Sony. It took six or seven tries to get it to line up correctly.
On this day one year ago: Election day 2012. So last year’s images was a shot of the TV with the news that Obama had won a second term. Who admits now to voting for him? The truth is that I did. The symbolism of his Presidency is important, but in fact this has turned out to be a seriously crappy administration, the worst in my lifetime. My sources deeply inside the beltway tell me that the President has become totally isolated, no one actually knows who is in his inner circle at this point, and he is effectively a lame duck. This has been a very long year, and there are three more to go. What a disaster. Here you go:
NEW YORK NEW YORK – This is my fourth anniversary. I’ve posted a picture every day since October 16, 2009. I’ve reproduced below my October 16, 2009 picture, a Jean DuBuffet sculpture, that was my first post. This is my 1461th consecutive daily post. (I’ve written a dozen or so posts more than 1461 because on one of our Africa trips I wrote more than one post a day.)
I’m planning on continuing until they bury me. There’s no point to this work other than the blog itself. I get occasional revenue from it as magazines ask for publication rights to images – this just about covers the cost of my hosting service. I have no plans for commercializing it.
For today we’re still at Schloss Elmau with perhaps one of the best pictures of our stay here. It’s a joint portrait of Maria and me.
NEW YORK NEW YORK – I had a drive through MISERABLE TRAFFIC to drop our car off for service on the far west side (this week is the opening of the UN session which makes New York a mess), and then walked back cross town to my office. Not too much going on visually because of a high bright overcast but the sun broke through for a moment and I got this with my Leica Monochrom and Luxochron lens.
NEW YOEK NEW YORK – We went up to Columbia this evening to see an exhibit of the work of Irini Gonou, a talented Greek artist who uses fabric and small objects and text to create pinakes (the singular is pinex- πίναξ), votive tablets used by the ancient Greeks. Very nice. I also noticed a view out a window that reminded me of one of her compositions. Both taken with my Leica Monochrom and Luxochron lens.
NEW YORK NEW YORK – Some nice results today with my Leica Monochrom and 50mm Summicron Asph. lens. Abstractions. Let me know if you get tired of them. This is turning into a major thread in this long-term project, maybe the best in my eyes, but self-editing (like self-surgery) is not totally reliable.
NEW YORK NEW YORK – Back in the saddle with my Leica Monochrom. I promise to write a post about why I mess around with other equipment. Later. When I get around to it. Next week. We’ll see. The Monchrom is my best friend.
I’ve decided to make time to walk where ever I happen to be going in Manhattan. Briskly. The theory is that this mode of transportation will relieve me of the need for other forms of exercise.
Today, while walking, I looked for abstractions with my Monochrom and 50mm Summicron Asph. lens. I’ve already posted a less effective color image of the first site below.