NEW YORK NEW YORK – Spring. Really. It kind of infects the images. Not that I mind it but the tulips are pretty much everywhere, and . . .well . . you’ve seen a tulip before. Taken with my Sony Nex-7 and a Leica 24mm Summilux.
Spring
WARREN CONNECTICUT – The Garuda again. This time a portrait. An ugly little guy. Taken with my alpa max and a 120mm Schneider lens, with about 6 degrees of tilt.
Garuda
WARREN CONNECTICUT – We had some statuary sent back fro Bali when we were last there (probably a decade ago). This Garuda is still with us. We put it in s small nook in the garden that had become overgrown, but we cleared it out last fall to expose the statue again. The Indian version of this god, which you can see by following the link above, seems almost protestant comapred to the Balinese version, which looks like it’s on acid. I took this with my ALPA Max and 120mm Schneider lens with about 2 degrees of tilt.
Garuda
On this day last year: look up! Taken with a Hasselblad back on my Alpa TC.
WARREN CONNECTICUT – A rainy foggy day. I’ve done quite a few “distant barely discernible trees in the fog” but that pretty much defines the landscape today. So I took the Alpa closer to home. This with my Alpa TC handheld at knee level, with my new Rodenstock 32mm lens. I was skeptical when I shot it be seeing it here I kind of like it.
Fog
KENT CONNECTICUT – I dropped by to see my friend Greg at RT Facts here, picking up a side table and a fixed stand for our fire pit. Greg is an antique dealer specializing in architectural debris, much of it very large. I got a new camera body: a Sony Nex-7, a very compact little item with 24 megs of resolution from a sensor that’s about 2/3 the size of a standard 35mm frame. The idea is that I would use it with my Leica lenses. (A lot of people think like this – this is why Leica lenses are currently sold out at every dealer in the world.) This is with the Nex-7 and 24mm Summilux lens – these look like they were removed on the demolition of a 1930’s Federal building.
RT Facts
WARREN CONNECTICUT – Last month I set my Alpa Max up to demonstrate its “tilt” capacity (the ability to tilt the focus plane to increase the appearance of depth of field) and got an somewhat poorly visualized image of our sundial. It’s snowing today (at last) so I set up trying to do a better of seeing and imagining the image:
Sundial redux
WARREN CONNECTICUT – Boxing Day. Curiously I shot the same subject one year ago. This time I selected a different angle and camera, my Alpa Max with a short-mount 120 mm Schneider lens and a tilt adapter. Tilting is a view camera feature that is available for longer Alpa lenses. It permits tilting the lens and thus the focus plane, to either extend or shorten apparent depth of field. Here I have used it to keep the top of the sundial and the wall and the trees in the background in focus. It can be a tedious iterative process to get focus right with this technique; there are rules of thumb that help; there’s also an iPhone app that gives you a very good starting point. What I don’t like about this image is a mental mistake on my part: cutting off the bottom of the sundial.
Sundial
