NEW YORK NEW YORK – Back home. Our flight back was as bad as our flight going. Delayed five hours in Milan. A hassling arrival at JFK as we struggled to master the new Global Entry system. Ugh. Back home we unpacked in the midst of a major heat wave. Cowering in air conditioning. There was a really weird sunset. Captured with my Leica M9 and 24mm Summilux.
Out my window
On this day one year ago: another sick day. Both of my July 7th shots, this year and last, feature out my window views.
NEW YORK NEW YORK – I collect Vinini, a Venitian glassmaker. This piece was advertised on eBay a Venini. It clearly isn’t but it was priced accordingly so I bought it anyway. Taken with my Fuji-X-Pro 1 and 17mm lens.
Venini
NEW YORK NEW YORK – Busy day with no time for photography. But as I was cleaning up after making dinner for myself (Maria is in London) I spotted an amazing sunset out the window. I grabbed the nearest camera – my Sony NEX-7 – and clamped a 50mm Summilux onto it. It would have taken too long to set up the big guy. I used a beanbag to steady the camera, and took a lot exposures hoping to get a good one. I got exactly one. Here it is:
Sunset out my window
NEW YORK NEW YORK – I periodically go back to school on photography. It’s a great way keep to technical skills fresh, to get work critiqued and to meet new friends. Today I started a ten week class on landscape at the International Center for Photography taught by Benjamin Dimmitt, a landscape photographer who does a variety of subjects and has a particularly lovely body of work on primitive Florida. The first assignment was to shoot “out your window”, literally or figuratively, in a comfort zone, at various times and in various lights. Of course I shot out my window, something that I’ve done frequently here, at various times over a 24-hour period. You’ll be seeing more of these over the next few weeks.
So . . . I put my Alpa Max on a tripod, selected a 72 Schneider lens (the “normal” formal length for this format) and fired away. The results where ok, but the most interesting thing going on seemed to be the sky so I switched to a wide lens (the 32mm Rodenstock) to get more of it. Because of accidents of meteorology the night images came out as the most interesting.
Out my window
On this day one year ago: Citcorp. I photograph the Citicorp building and its neighbors a lot: Citicorp Center images. I love their bulk and the surprising angles and reflections. It’s also convenient for me. My advice to urban landscape artists: Look up!
NEW YORK NEW YORK – We got home from Connecticut and had a quiet dinner with our daughter, Francesca, who is pictured in context here. Sony Nex-7 and 24mm Leica Summilux.
Francesca
NNEW YORK NEW YORK – A busy day of meetings. II got home and still hadn’t taken my picture (except one iPhone image from a meeting but I decided that it would be unprofessional to post it to the web. So I set up my Sony Nex-7 on a tripod in the dark with a wide lens (the 15mm Voigtlander) and did an image of out living room, draped with drop cloths, illuminated only by the light coming through the windows.
More paint
NEW YORK NEW YORK – I’ve operated for a few days on the theory that the point of this exercise (a daily photo blog) is to document my daily life. A visual diary. Ok. So here’s a picture taken with my Panasonic while waiting for a red light. I may have to give this a bit more thought. Maybe it’s a Friday the 13th effect.
Driving to Connecticut
