WARREN CONNECTICUT – We had some friends over for dinner. Here’s an image of Aleksandra made with my Leica Monochrom and Noctilux lens by candlelight.
On this day last year: Snowshoe. Taken with my Monochrom and Dual Range Summicron.
WARREN CONNECTICUT – We had some friends over for dinner. Here’s an image of Aleksandra made with my Leica Monochrom and Noctilux lens by candlelight.
On this day last year: Snowshoe. Taken with my Monochrom and Dual Range Summicron.
WARREN CONNECTICUT – Well now . . . comparing this year’s picture with last year’s there seems to be a theme. It’s cold here in Warren. Especially in the winter. There’s ice everywhere. This year I shot it with my Monochrom and 24mm Summilux lens. I decided to include two of them. I have more pictures of ice available if you’re curious about the topic.
On this day last year: Winter in Connecticut. Taken with my Leica Monochrom and a 1945 vintage Carl Zeiss Jena f1.5 Sonnar lens.
WARREN CONNECTICUT – One weather options this winter seems to be heavy rain and fog. These are actually pretty good conditions for landscape photography. Here are three images taken with my Leica Monochrom and 1958 Dual Range Summicron lens.
Om this day last year: Jasper Johns.
WASHINGTON CONNECTICUT – So this was my day to put my 135mm APO-Telit on my Monchrom. I’m not great with long lenses, but the compression of perspective actually creates an attractive effect on a snowy day like today. I’m using it handheld, which means shooting at high ISO to get a short enough shutter speed to deliver the sharpness that this lens is capable of. Because of the flat perspective it is very easy and reliable to stitch frames, so in my hands it becomes effectively a 50 to 135mm zoom.
Two frames stitched:
Three frames stitched:
On this day last year: vacant lot.
WARREN CONNECTICUT – Reflection captured with my Leica Monochrom.
On this day one year ago: Fog.
WARREN CONNECTICUT – More fog. Leica Monochrom and a major legacy lens. I’ve told the story of this lens previously. The lens cell was made by Carl Zeiss Jena in 1945. The Soviets relocated the Carl Zeiss business to Kiev as war reparations. The lens cell was put in a Leica screw mount focusing mount and sold in the west, probably on the gray market. It’s a remarkably high performance lens with a lovely signature, one of few in existence. It’s rendering works particularly well on gray days.
On this day last year: The Opera.