NEW YORK NEW YORK – My path took me through Grand Central Terminal today, one of my favorite places to photograph. This was captured with my Leica M9 + 50mm Summilux. Three frames stitched.
On this day one year ago: Chateau Mouton Rothschild.
NEW YORK NEW YORK – My path took me through Grand Central Terminal today, one of my favorite places to photograph. This was captured with my Leica M9 + 50mm Summilux. Three frames stitched.
On this day one year ago: Chateau Mouton Rothschild.
NEW YORK, NEW YORK – Well here I am whining about a tough week again – I’m reduced to grabbing shots on the street between meeting (rather than, say, deciding to go to Bay Ridge to shoot, getting there early and waiting to watch the light develop). Here’s Grand Central Terminal from the outside. It’s an odd building in this respect. The inside (which I photographed earlier in the week) is iconic, but it has no discernible outside – it’s as if it’s a huge cavern hacked out of urban clutter. This is the one point of view, the middle of Park Avenue, where you can actually see it.
This is taken with my Leica M9 and 90mm Elmarit lens. I’ve reproduced it here smaller than usual because it’s slightly blurry – I was dodging traffic on Park Avenue.
NEW YORK, NEW YORK – I met a friend at the Oyster Bar in Grand Central for lunch – he’s a restaurant reviewer and his mission was to determine whether the Oyster Bar still has its mojo. Well, the Oyster Bar is about the oysters. There were 28 varieties on the menu so we ordered two of each variety: 28 oysters for each guy. Fair warning to our wives. A fabulous lunch. I was too preoccupied with slurping to photograph so I caught this image in Grand Central after lunch.
Leica M9 and 24mm Summilux lens. Stitched from three frames.
NEW YORK, NEW YORK — Another day of terrible weather, so back to Grand Central Terminal to work inside.
NEW YORK, NEW YORK – Grand Central Terminal. My new favorite rainy day place to photograph. I’ll be studying this over the next few months. Another icon.
NEW YORK, NEW YORK – Looking back at the past week’s work I kept coming back to the cemetery in New Preston. I decided to try more images with large out-of-focus areas. Returning to Grand Central Terminal I reshot the phones with a Leica M9 and a 35mm Summicron pre-aspheric version IV lens – I’ll be using this for the next several days. This lens is known as the “bokeh king” – bokeh being a subjective view of the quality of the out of focus portions of the image.
NEW YORK, NEW YORK – I walked around Grand Central Terminal with a small sensor camera, a Ricoh GRD 3, using it as a sketchpad. I’ll come back and shoot infrared once I understand the site better. Â This is another architectural icon. Â I found myself gravitating toward details.