NEW YORK NEW YORK – From the lobby of 919 Third Avenue with my Leica M, converted to black and white after the fact.
On this day one year ago: Takeout.
NEW YORK NEW YORK – From the lobby of 919 Third Avenue with my Leica M, converted to black and white after the fact.
On this day one year ago: Takeout.
NEW YORK NEW YORK – I tried something different today: shooting in color. I took my Leica M and Luxochron lens out for a walk around Manhattan. (“Luxochron”, by the way, is my name for my Leica 50mm Summicroh Asph. lens, which is said to be the most perfectly corrected normal lens for any camera ever and is priced accordingly.) But guess what? Most of the images that I found today look better in black and white so I converted them. Here’s an example with some high key lighting.
On this day last year: John Chamberlain sculpture.
high key
NEW YORK NEW YORK – Back home I decided to take the tram to Roosevelt Island to explore the new Roosevelt Memorial on the southern tip of the the Island. Here it is, taken with my Leica Monochrom and 50mm Summicron Asp. lens.
On this day last year: Highland’s greatest year.
NEW YORK NEW YORK – We saw and apartment on the Lower East Side that our daughter is interested in buying; then spent and hour in the office; then walked home via the East River and the Vinegar Factory. All the while carrying (and occasionally shooting with my medium format Leica S2). Have I told you that I hate my daily workout on an elliptical machine. Well I do. It’s boring. I only do it because its preferable to instant death from a cardiac problem, but just barely. So I’ve decided to try to get my daily exercise by walking everywhere, wearing a doodad on my wrist that monitors my activity to make sure that I’m getting enough. We’ll try this for a few months to see how it works.
Images from the walk along the river, all with the Leica S2 and 70mm lens.
On this day last year: Good Seats.
NEW YORK NEW YORK – Some nice results today with my Leica Monochrom and 50mm Summicron Asph. lens. Abstractions. Let me know if you get tired of them. This is turning into a major thread in this long-term project, maybe the best in my eyes, but self-editing (like self-surgery) is not totally reliable.
On this day last year: Marble Cemetery.
NEW YORK NEW YORK – There’s an unfriendly and disused public plaza on 57th Street between Madison and Park Avenue. Why do some of these work and others not?
Taken with my Fuji X100s.
On this day last year: Basil shakes it off. Another violation of my “no cute dogs” rule. This is actually my ninth shot of Basil since I started this project roughly 1,400 days ago. Nine violations is a lot; if the DMV were in charge of this blog I would loose my license to photograph. On the other hand it’s an error rate of well less than one percent, which I guess I can live with.
WARREN CONNECTICUT – I had busy day work-wise in Connecticut. Client confidentiality and my natural reticence preclude any discussion of what I’m doing, but I can say that there seems to be a lot of it. I had time for a couple of snapshots with my Fuji X100s. Before I leave the house or apartment I always pick up a camera take a test exposure or two to make sure that there is a memory card and that the battery is charged, and that the camera’s setting aren’t off somewhere in outer space. I delete most of these in editing, but occasionally a test shot is the best image for the day. Here you go with our dining room in Warren. Later in the evening we had dinner with our friends Barbara and Charlie Robinson. Charlie is a painter and for some reason he’s used the top of a wood burning stove in their kitchen as a palette.
Taken with my iPhone at a point when I was concerned that I might not have another picture for the day.
On this day one year ago: La Pizza Fresca, my favorite pizza joint in New York. It’s actually not a joint: ingredients are first rate and they make Neapolitan-stile thin crust pizza (the only style that I tolerate) in a wood fired oven. The wine list is remarkable. Here’s a picture of the key actor in the Pizza Fresca drama: