NEW YORK NEW YORK – Another dinner at Pizza Fresca, so I found myself on foot in the rain on lower Park Avenue at dusk. Here’s some interesting light captured with my Leica M9 and 24mm Summilux lens.
There’s probably a rainbow somewhere
WARREN CONNECTICUT – “So Woody, how do you feel about this rainy day?” Well not bad, actually, because we really need the water. Also the rain is a nice opportunity to explore some colors in a perennial board with my Fuji X-Pro 1.
Perennial boarderPool
ON THE TRAIL TO SILS MARIA – We had some rain along the way here – one of two rainy days on the trip. A little rain is a good thing because otherwise we would have been carrying out weatherproof layers in vain. The view from the trail back toward St. Moritz taken with my Leica M9 and 24mm Summilux lens.
St. Moritz
NEW YORK NEW YORK – A rainy day, but the wetness made the colors delicious. Here’s the Zen of Citibank. Two frames stitched taken with my Sony Nex-7 and a 24mm Leica Summilux lens.
The Zen of Citibank
NEW YORK NEW YORK – It poured all day. I walked from 56th Street to 27th Street on the East Side with my Leica and a 35mm Summilux Asph. II lens. The first image is a stitch of three frames. Both are taken at f 1.4, which severely limits depth of field (in general a good thing and one of the reasons to own this lens).
Post office buildingRain
NEW YORK NEW YORK – A very wet day. I went out in the rain with my Leica and a 35mm pre-ASPH version IV Summicron lens, known as the bokeh king. (Here is Ashwin Rao’s terrific article on bokeh). “Bokeh” for you non lens nuts is the causality of the out of focus image; good bokeh is creamy with smooth transitions between in-focus and out of focus areas; bad bokeh is crunchy with abrupt transitions between in-focus and out of focus. Modern highly corrected designs tend to have poor bokeh; older designs tend to have good bokeh.
S. Feldman Housewares
