NEW YORK NEW YORK – Walking on Park Avenue with my Leica (and 90mm lens) I caught Lever House and the Racquet Club in spectacular light. Two frames stitched.
On this day last year: An angle on the Seagrams Building in lovely light.
NEW YORK NEW YORK – Walking on Park Avenue with my Leica (and 90mm lens) I caught Lever House and the Racquet Club in spectacular light. Two frames stitched.
On this day last year: An angle on the Seagrams Building in lovely light.
WARREN CONNECTICUT – Back to photographing in the actual world (as opposed to taking pictures of cameras). There was a lovely, fleeting moment at sunrise in Connecticut to today when the first rays of the sun caught the ground fog. I grabbed my Alpa TC with the IQ 180 and Schneider 3mm XL attached and captured the moment.
Later in the morning I went to the town of Warren to experiment with my new 120mm lens, capturing the Warren Congregational Church from a slightly different angle.
On this day last year: The beginning of our safari in East Africa. One year ago things start getting really interesting for the next week or so. The Cliff Notes version of our safari is the top gallery on the right of this site.
NEW YORK NEW YORK – I took my Alpa TC to meetings downtown. I caught this view of Hoboken New Jersey across the Hudson River. Three frames stitched.
On this day last year: Madison Square at night.
NEW YORK, NEW YORK – So I find myself walking around New York with a battery in my inside coat pocket and a wire snaking down my sleeve. It connects to the digital back on my Alpa TC. It’s flexible and is highly compatible with my style of shooting but at some risk that I’ll be mistaken for a suicide bomber. I take a fair number of images like this at extreme angles, but this is one of my favorites.
Here’s another take on the sunrise out our dining room window with my Alpa Max:
On this day one year ago: Another cold day in Connecticut.
NEW YORK NEW YORK – So my Alpa TC has a companion camera: an Alpa Max, which uses the same lenses and the same digital back but is designed for tripod use and allows full shifts in both the horizontal and vertical directions. It’s a so-called technical camera. It permits making compositions by shifting the back up, down, right or left while keeping camera level so vertical lines don’t converge or diverge, an effect that is especially evident when shooting wide angle. So here we are shooting with the Max out of our dining room window at dawn, shifting the back downward to obtain this composition.
On this day one year ago: Episcopal Church, Morris Connecitut.
WARREN CONNECTICUT – We had a very quiet day with our family, making, then eating, turkey hash. My recipe comes from the Old Drovers Inn in Duchess County New York, which was justifiably famous for it. The Old Drovers Inn is, alas, no more: RIP Old Drovers Inn.
The day started with a light rain and ground fog. I got this with my Leica and a 135mm APO-Telyt on a tripod.
On this date last year: Thanksgiving 2009.
NEW YORK, NEW YORK – Another full day of meetings. The light first thing in the morning was sensational. For this image I had a 16mm Voigtlander lens on my Leica. Shooting very wide presents a lot of challenges – the wide frame assures that there are extremes in terms of dynamic range, and that either the sun or the photographer’s shadow in the frame.
On this day one year ago: Pay telephone bank in Grand Central Terminal. Here’s an example of old technology baked in concrete, plastic and steel.