NEW YORK NEW YORK – I went to B&H to return the lens that I shot but didn’t like yesterday. and then walked from 34th street down to a dinner in Tribeca. Kind of semi-clear light that didn’t spark my imagination – remember that most of the stuff on the blog is urban landscape, but still landscape so it’s highly dependent on interesting light that doesn’t necessarily show up on my daily shooting schedule. Another effing church, the Church of the Holy Apostles in Chelsea. Shot with my Leica Monochrom camera and a 24mm Summilux lens.
Another Church
NEW YORK NEW YORK – This was a day of eccentric behavior. I shot color. That’s right. Color. You don’t see much of that around here for good reason. I grew up shooting black and white film. Processing it myself. Printing in a darkroom. So I tend to see in Black and White. The camera I currently use most, the Leica Monochrom, only shoots in black and white so it encourages this behavior. But today I took out my Leica M which like almost all digital cameras sees in color so if I want black and white I have to convert the files in Lightroom or Photoshop. But this was a colorful day so I decided to leave the images in color. Here we go, taken with my Leica M and a Leica 24mm Summilux lens. The lens is wearing sunglasses, a .9 neutral density filter. This lets me shoot at f1.4 in daylight leading to very thin depth of field. Wide open this lens has a slightly edgy “bokeh” (the character of the out of focus portions of the image), a common trait of highly corrected modern lenses.
April MadnessWhat on earth . . .Does anyone know what this is?
NEW YORK NEW YORK – A landscape day. Brilliant early Spring light reinforce’s the city’s three dimensionality. Here’s the back of a newsstand taken with my Leica Monochrom and 21mm Super Elmar M lens. The idea was to express visual clutter but not chaos.
Lottery
On this day last year: High Line. Shot with my Alpna and Phase One 80 meg. back.
NEW YORK NEW YORK – So here I am out on the street (actually a side street in the 80s on the East Side) with my Leica Monochrom trying to take a serious picture. This is with my 18mm Super Elmar lens and a yellow filter which does nice job of darkening the sky. And of course the second image is a shot around the house with my iPhone and the kitCam app, which I actually think is a better picture.
ClutterCandles
NEW YORK NEW YORK – this post is dated March 14 but as is typically the case I’m actually writing this about a week later (it takes me that long to edit, upload and write a post). My web hosting service, Bluehost, had had some major service issues this week and last week (including a couple of periods of total shutdowns). They now appear to have things under control. I apologize for any bad experience that you may have had in terms of page loading times and so on.
I went out today with my Leica S and a 35mm lens. This is four frames stitched, with a lot of overlap. This is the Municipal Asphalt Plant, an architectural icon that now serves as an indoor swimming pool. As you can see it is being renovated.
NEW YORK NEW YORK – A day of lovely light in the city. The light would be to harsh for non-urban landscape, but here the pavement and buildings act as giant reflectors illuminating shadows, making them less dense. I’m continuing my Leica Monochrom marathon, this time with a 28mm Elmarit lens. The word on the street on this lens is that its high level of sharpness and contrast boarder on offensive. It actually mates well with the Monochrom given the generally fiat look the the Monocrhom files have out of the camera. I had trouble choosing afavorite so I’m presenting a mini-gallery today.
Moving and StorageCabbageDining roomPipesBright
